On a Pedestal
Castletown House and Dublin Castle, 2018
“The concept for On a Pedestal, if it was to engage, had to draw from the lives of the creators of Castletown House, it had to engage in a deep and meaningful way with that which survives from its past. Nuala and I had gone through a similar process with Meditation on Plates (2014) at the Casino in Marino and we knew that a project which truly connects with the genius loci of a place will reach and stir visitors. Looking at the Castletown busts with Jeremy Musson sparked my interest anew” … “The title for this exhibition celebrating the contemporary portrait bust, refers as a matter of course to the plinth that goes almost inseparably with this sculptural form. However, here, in admiration of this special category within the discipline of sculpture, the portrait bust as a genre has been put on a metaphorical pedestal too. Art history shows that many artists have visited the genre, either solely making busts or including them as part of their complete body of work. Why are artists still fascinated by making a bust? The contemporary artistic view on the bust deserves a closer look and examples of the work of thirty-two artists are presented for the public to admire and contemplate.
The exhibition shows that the shapes and ideas behind these small statues are still based on classical values and have ‘survived’ history.
Moreover, this unique form of portraiture has remained visible and still deserves its place within the discipline of contemporary sculpture. Firmly founded within the tradition of the classical world, but without ignoring artistic progress and changes throughout the centuries, the works presented in the exhibition and this catalogue tell a timeless story: one about the human search for the representation of one’s self, one’s beauty and one’s inner psychological space.”
Mary Heffernan, General Manager of Castletown House and Curator.
Opening day of 'On a Pedestal' at Castletown House, July 2018. The curators, Nuala Goodman, Mary Heffernan and Hélène Bremer, with guest Daniela Ferretti from Palazzo Fortuny, Venice.
Barry X Ball and Léo Caillard's sculptures
Anne Valérie Dupond with her "Lady Louisa Conolly"
"Lady Louisa Conolly"
Ursula Burke's "Balaclava Bust"
Francesco Vezzoli's "The Eternal Kiss"
Janet Mullarney's "Rishabadeva"
"Rishabadeva"
Marianne Heske "N.N. Phrenology head"
Mimmo Paladino's "Bronze angel bust"
Livio Scarpella's "Ghost underground"
"Ghost underground"
Giulio Paolini's "Mimesi"
"Mimesi"
Kathy Dalwood's "Tomcat"
Tony Cragg's "Wild relatives"
"Wild relatives"
Piero Fornasetti's "Busto di Moro"
"Busto di Moro"
Wim Delvoye's "Twisted bust (clockwise and counterclockwise)"
Barry X Ball "Dual portrait of the artist’s New York gallerist"
Barry X Ball "Dual portrait of the artist’s New York gallerist"
Claire Curneen's "Psyche"
Christophe Charbonnel's "Thésée"
Emily Young's "Dark forest head"
"Dark forest head"
Zachary Eastwood-Bloom's "Mirror"
Ann Carrington's "Noble Nobleman"
Carolyn Mulholland's "Portrait of Seamus Heaney"
Sam Curtis "Monument to a Fishmonger"
Kevin Francis Gray "San Sebastian’s Girl Maquette"
Charles Avery "Untitled (Progressionist)"
Gregory Grozos "Undiscovered"
Evelyn Van Duyl with her sculpture "Voltaire"
"Voltaire"
Kimiko Yoshida's "Self-portrait of the Artist as the Sun King Louis XIV by Bernini (1665, Château de Versailles)"
Léo Caillard's "Hipster Farnese in bronze"
"Hipster Farnese in bronze"
Juliette Clovis's "Millepora"
Marco Chiurato "Mangiare in testa"
Marco Chiurato with his sculpture
Alessandro Mendini "Testa pensante"
Jacob Foran "Girl in Dream"
Bruno Walpoth "Don’t touch me"
Jam Sutton with "David and Goliath"
"David and Goliath"
The curators with the artists in front of Castletown House